Agatha Christie : Curtain – Poirot’s Last
Case, 1975
Styles Court
always had a certain importance for Agatha Christie.
Witness the set having 2 important novels in his writing career: The misterious
affair at Styles, his debut as a writer's career (1920), in addition to the
character that made universally famous, Monsieur Hercule Poirot, the Belgian
detective; Curtain - Poirot's Last Case (1975), Poirot novel farewell.
Curtain - Poirot's Last Case begins when the first was over to Styles Court.
Now Cavendish has become the home of a pension, and Poirot has a room for rent.
He is worn out by arthritis, and lives in practice on a wheelchair. But Poirot
to Styles is not out of nostalgia, but to prevent a murderess to continue to
kill, as he wrote to his old friend Hastings. The show, alone, amazing
coincidences, events which, taken individually, are of no value, and then,
however, compared to each other and respect each and every one under certain
circumstances, take on sinister side dishes.
In other words ... there was a very strange series of deaths.
Leonard Etherington, dead apparently rotten food, after the autopsy was
discovered to be killed with rat poison with arsenic. Accused wife, she had
been acquitted. However the general opinion was unfavorable, and two years
after the trial, had committed suicide with barbiturates.
Miss Sharples: died from an overdose of morphine. Insufficiency of evidence
against the nephew, Clay Freda.
Ben Craig: Mrs. Riggs assassinated along with a gun belonging to her husband,
Edward Riggs, jealous of the relationship between the two. Riggs was sentenced
to life imprisonment, after being sentenced to death.
Derek Bradley threatened by his wife for his affair with a girl, was killed
with potassium cyanide dissolved in beer. His wife was sentenced to death and
hanged.
Matthew Litchfield tyrannical father of four daughters, killed by his eldest
daughter Margaret, who would thus allow the sisters to start a new life: interned
at Broadmoor because she was incapable of consent, there she was dead then.
Cases
that do not appear to have had anything
in common, too many
to suggest a common matrix, identified only by Poirot.
Mr. X is the
common denominator of all cases. He
too is in Styles Court, became a
separate board. And Poirot is there.
He feels compelled to take action, because he suspects, based on all existing
connections, another murder is about to take
place at Styles Court, where
fifty years earlier, had been killed Emily Inglethorp.
George Luttrell, retired
colonel is the new owner of
Styles Court. He
administers the pension and lives there with his wife Daisy. Guests of the
board, and so
essentially characters in the novel, as well as Poirot, are,
at the time when Hastings arrives with his daughter Judith, Sir William
Boyd Carrington, Stephen
Norton, Elizabeth Cole, John Franklin,
the scientist (who has a laboratory ) and his
wife Barbara, the waiter Poirot, Curtiss, and
Miss Cafres nurse. All the characters, more or less, will have a role
in the drama. Between these lies the murderess, Mr. X,
and his victim.
Poirot would save the sacrificial lamb, who
does not know who he is, and as
such seeks the help of Hastings, who ran, together
with his daughter, in aid of his friend. But soon there will be
a homicide, based on the judgment of Poirot that
if one swallow does not make a
summer, a murderess makes a crime instead. But
first there will be a failed attempt to kill the
wife of Colonel Luttrell:
he shoots to a rabbit and a bullet grazes his
wife.
The
bullet was apparently fired from
the rifle of Colonel, but is
it true or was fired
from a rifle similar to the same caliber?
The fact is that, after a death occurs: Mrs.
Franklin is poisoned
with a lethal dose of physostigmine sulfate. The
dose is from the laboratory
of her husband, of which both as he as
the assistant have a key. It clarifies
that the victim suffered from depression, and there's more to an eye witness above
all suspicion that he swears
to have seen come out clutching a bottle: he
is Hercule Poirot. The investigation of
the coroner's verdict was suicide. But
Poirot has really
seen what he has confessed?
He knows that the
woman was murdered, but since it has no evidence of X is the murderer, Poirot makes the investigation is closed so that he and Hastings
are free to work "undercover", we would say today.
Moreover, he confesses that he testified, but "not under oath."
Hastings is afraid that something else will happen. In fact, a second murder occurs, and this time under
impossible conditions: Norton is
found with a bullet in front of her room, locked
from the inside, and the key is
found in the
pocket of his robe, once the door is forced . The window was
found locked from inside. This can only be suicide.
Hastings swears to Poirot that he saw Norton (limping)
wearing his robe, closed room. But
despite Norton has
been found with gun in hand, according to Poirot it was murder.
From who? And how?
Following are just fireworks.
And one of these
concerns Poirot. That
dies from a heart attack.
Then, four months after a letter delivered to Hastings
will explain everything: how are the three deaths
occurred, as there was an attempted murder, but two, as until to murder of Franklin, there were two murders and a real
potential. After the
murder of Franklin, there were a
potential murderer and two
real. After the
murder of Norton, there were two
killers. After the death of Poirot,
only a murderer
there was. However, he isn’t X but…
I do not know how others think, but I think the Queen had read and enjoyed The misterious
affair at Styles,
when they wrote The Siamese Twins Mystery.
Agatha Christie was in fact the story of
two brothers and a stepmother, who was then
remarried to a younger man, and murder her, of
which he is falsely accused one
of the brothers, the Queen,
the story of murdered a surgeon, and 2
twin brothers are falsely suspected. In
both come into the picture two
possible murders of spouses.
But, then, just as Christie would probably
have read the works of Queen. For the last four words of the novel, Mark of Cain, we
refer to Ellery
Queen, to many of his works: the radio play
The Adventure Of The Mark of Cain, the
novel The King is
Dead, a chapter of "Once
Was a Woman" , which is called "The
Mark of Cain". but at the same "The Siamese Twin Mystery"
to "X."
X refers us to Dr. Xavier, but
also to twice. A Janus-faced:
and this, Curtain - The Poirot's
Last Case, is another novel on the double, we could say the novel on double Christie's:
because there are four murders, and these four
until the end does not seem so. One has never killed, but
killed many, and another killed one out of
necessity, to save lives, but
has not been indicted even praised, and now
kills still need
to save lives, but
no one would think that killed
and another still kills, but does not know who killed, and the fourth, which would kill another, ends up a
mistake, not his, .. to kill himself.
We could call it, as for Ellery Queen, a
"Tragedy of Errors". It
certainly seems that
those who read the novel, because much more happens,
and in this much, many other errors and misunderstandings
and characteristic behaviors , that are explained in the cathartic final. Among
the behaviors we point out,
the "strange" resume the limp of Poirot, who
limps as fifty years before.
The limp enters
by force in final explanation.
Why to Styles Court,
Christie decided to set his first and his last novel
in the series of Poirot? I do not know, but certainly Styles Court, had to
play in the Christie almost a symbolic value: there he began his
fortune, there had to end.
Few people know that when she wrote her first Poirot, the house where she lived with her husband, Colonel Christie, was called
Styles, in Sunningdale,
Berkshire. And from the house before her husband went away in 1926 stating
that he had a lover, then she ran away
(the famous escape and temporary disappearance).
The melancholy of Poirot, in this last novel, is very strong: we see him suffering, and for the first time unable to make reasonable decisions in respect of a murderer who doesn’t dirty his hands ..
That of perfect murder is a way that comes from afar, and that, through various shades, Agatha has explored several times, also engaging fictional experiments, which were not really peculiar, belonging to other British authors (Heyer, Crispin, Wentworth, eg.). For example, the possibility of spreading hate and resentment through the
correspondence. For my part, I see a very strong similarity between these odious systems to bring the evil in the community (the weakest inducing killing or causing others to kill), and the system adopted by the assassin X present in this novel through a psychological sensitivity very strong, and doomed to evil, he causes certain people to kill others, touching the right time
"some string".
In short, a novel that seems to say so anything, but in reality is, in my opinion, a true masterpiece.
Pietro De Palma
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